Sunday, November 4, 2012

Week 7 Topic: Race, Ethnicity, and Identity


K. Scott Wong. “Diasporas, Displacements, and the Construction of Transnational Identities”

A stark proclivity toward a globally multicultural hybrid identity created by “transnationalism and global exchange” is inevitable according to Wong.  That is, Wong evinces, due to communicative technological advancements, ease of access to global trade, and subsequently (perhaps the single most salient rationale) realistic and obtainable opportunities in the accumulation of massive capital, these isolated, pure, and authentic identities of the world demarcated under arbitrary bordered countries, nation-states, cities, and villages, have or will become indistinguishable under the pretense of capitalism.  This alchemic phenomenon characterized under transnationalism, whether serendipitous (the implied imperialistic, highly fictitious, narrative in which both sides benefit) or methodically orchestrated (militaristic aggression in which ultimately reconciliation and sympathetic admittance of guilt on behalf of the “good intentions” is the strategized solution to appease the victims, and to sustain good relations with the world) by those influential few with an insurmountable amount of power, has finally come to fruition.
           
The logic of identity deformation, reformation, and re-reformation in sectors and domains of the world is thus complicated, warped, and manipulated by these fantastical processes of interaction and perceived friendships built strictly on power, and oscillated between global capitalist markets through sheer ostentatious display of superfluous capital gains.  The dream of a utopian, authentic, and concomitantly harmonious identity or group of people in which the exchange of goods (monetary, cultural, spiritual, etc.) oscillate effortlessly, becomes the dominant narrative.  Individuals living under this newly designed, universal deformed mask of authenticity produced by hegemony must acquiesce, that is more clearly, reform their self-identity on the basis of differentiation, in order to merely survive.  Nevertheless, the efficacy of the logic of identity, however implemented under this transgressive power, is twofold. 

In result, a suspended oft-paradoxical narrative of universal identification subsisting on the rhetoric of heterogeneity as a means of freedom (Reconciliation?) from these hegemonic forces is put into action.  Individuation then, consequently and as a reactionary mechanism to oppression, racism, etc., becomes a powerful tool for authentic self-identification, subservient to, of course, the enduring hegemonic society.  As identity transforms and adapts, or discovers new ways in which to escape its own vices, so does hegemony.  The United States of America, given its history of nativism as a combative action against immigrants and outside influences, has since I believe, exhorted the conceit of an authentic American identity due to its uncontrollable growing and diverse demographics.  Although internally nothing has changed: even if this absolute, pure and authentic American identity becomes a reality, hegemony will perpetually discover new ways to adjust its narrative and rhetoric in performing insidious control. 

The two articles below closely examine the concept of a formulated authentic identity (the deformed mask) forced on by these superpowers but thwarted by these displaced individuals’ connections with their homeland politics, cultural values, and societies.  The result is a reformation of both territory and population (native and outsider) following the logic of identity, and this global push for a common hybridized idea of identification.

Questions:
1.     Is the strict process of establishing a global authentic identity, regardless of interaction caused by global trade, diaspora, or transnationalism, a subversive ploy implemented by hegemony?
2.     Subsequently, do we, by portraying and performing our “otherness” (strive for a heterogeneous population each with its uniqueness) forge the very edifice of hegemony?  Although the idea of the “Melting Pot” and assimilation has been criticized and dissected for its oppressive underpinning, does our individuation lubricate the mechanized system of hegemony?
3.     Finally, to what extent will our independence, perhaps that which will be viewed as a global mixture of sociological, cultural, and political ideologies, breed cynicism amongst those who view harmony and peace as regression?


“ When Minorities Migrate: The Racialization of the Japanese Brazilians in Brazil and Japan “ -Takeyuki (Gaku) Tsuda

In the article “ When Minorities Migrate: The Racialization of the Japanese Brazilians in Brazil and Japan,” Takeyuki Tsuda argues that diasporic subjects fundamentally “de-essentialize” race. According to Tsuda, to “de-essentialize” means to challenge the notions of racial conceptions of ethnic groups. The article focuses on the conflicts of Japanese Brazilian people. This diasporic community embraces their Japanese heritage in Brazil because being racially Japanese has positive cultural connotations. For example, Japanese Brazilian people’s success is seen as relating to their Japaneseness. Therefore, Japanese Brazilians allow Brazilians to outwardly refer and greet them as “Japonês” and to make slanty eye gestures,  although those actions are clearly racially distinct. However, in Japan, Japanese Brazilians explicitly segregate themselves from the homogeneously constituted Japanese majority ethnicity. They do so by practicing Brazilian traditions, such as through their greetings to each other, their clothing, dancing the traditional samba dance even though they don’t know it, and speaking Portuguese. Japanese Brazilians deliberately resist assimilation into Japanese culture because they want to demonstrate they are not Japanese despite their appearance and should not be held to Japanese cultural expectations. (written by Thanhthao and Mel)


Question:
4.     How does de-essentialization relate to cultural hybridity?


Bernard Scott Lucious. “Into the Black Pacific: Testimonies of Vietnamese Afro-Amerasian Displacements”
Amerasians day laborer in Ho Chi Minh City, 1992 

In his article “In the Black Pacific,” Bernard Scott Lucious focuses on the testimonies of Vietnamese Afro-Amerasians band their Diaspora. These testimonies are the manners of defining, redefining, proclaim, and affirming one’s body.  The author makes a number of interesting points on the Diaspora of these Vietnamese Afro-Amerasians. These people not only face national displace but also racial displacement in and outside of Vietnam because they are mix race.  The Vietnamese in Vietnam views them as the children of the Americans even though they are only half American, but can we even consider them American if they never experience living in America? Lucious talks about three types of contact zones. The three contact zones are: corporal, national and then international. By contact zones Lucious meant that the Vietnamese Afro-Amerasians is displace because their skin color. The Vietnamese (in Vietnam) associate anyone not fully being yellow to not be true Vietnamese. Also, the darker the skin color, the more discrimination Afro-Amerasians would experience. In the corporal zone, racial discrimination is physical. It can be seen on the person’s skin, or body. These injuries are the direct result of the feeling of being mixed race and discriminated. Not only black is devalued but being an Afro-Amerasian woman is more unfavorable and is exploited more as well. The National zone is displacement within society. these are  displacement within the family, the Saigon’s street culture (also known as the street of Saigon), in school, and in labor camps. The international zone is Vietnamese Afro-Asian hoping to escape the discrimination in Vietnam. They either displaced on Cambodian borders or in America (known as “Vietnamrica”).

This is a song by Tasha, a Korean artist whose father was black and her mother was Korean. This song is about her life being mix raced in South Korea. It touches on the topics discussed in Lucious article of colorism, displacement and contact zones. Notice that the music video is in Black and White.


Questions:
5.     Many French-Vietnamese Eurasians migrated to Europe and was granted citizenship. What are the possible reasons Vietnamese Amerasians did not travel to America?  

6.     What are the implications, pertinent to Dubois’s dual consciousness, which Lucious evinces in the Afro-Amerasians?  Not only are the perspectives of the individual through colored lens, but also what is the significance of this vision ultimately distorted by class and gender?  In relation to skin color, what can you make of class stratification, societal underpinnings, and ideologies that accompany a mixed-race immigrant individual?

By Ving Lee, Thanhthao Nguyen, Melody Tan, Mai Nguyen, and Shoun Thao

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